Orange County Quilt Show - 10 APR 2015

Held by the Orange County Quilters Guild and displayed at Zion Lutheran Church on N. East Street in Anaheim, this was an impressive display.
Family of Hexagons - Kat Benne
The first room held two challenge competitions. In the Crayon Quilt Challenge, contestants picked two crayons out of a bag and then had to use the colors as inspiration for their piece. Here were some of my favorites:
In the President's Challenge, each quilter was given a different set of instructions (based on their skill level). The 6 block challenge was doled out a month at a time, where the quilters had to present their previous block to get further instructions. Joan was challenged to design a unique layout for a table runner that could also be reversible with a different design on the back.
Everything is Coming up Cherries
- Joan Lebsack -
Beth was given different pattern each month and had to add to her small collection of Downton Abbey fat quarters to create this beauty:
Downton Abbey - Beth Ferguson
Becky used her Australian fabrics for this creation:
Dancing Kola... - Becky Sporal
The main exhibit was held in the school gymnasium, with vendor booths around the outside and rows of quilts covering the entire floor. Here's a sampling:
Festive Stars - Carolyn Erratt
Amalie's Log Cabin - Loretta Davis
Oriental Log Cabin - Joan McMurry
Red Checks - Pam Gayle
Bali Star - Mary Lou Ripper
Swin Like a Fish - Linda DeCoux
Disappearing 4 Patch - Marilyn Fredrickson 
Pledge of Allegiance - Patti Pane
The show was titled, "Echoes of the Past" yet there were many modern quilts:
Dolly Quilt - Carol Gray
Growing Attic Windows - Lisa Scaglione
Children of Lir - Stacy Hurt
Chipsticks - Marilyn Leatherwood
Bunches of Batiks - Jean Ebert
Scary Monsters - Julie McCluney
Lava Lamps - Carol Harter
They also had some workshops:
This vendor has an excellent product that allows you to use a laser jet printer to put an image on any one of a variety of fabrics. She carries all types of fabrics, in different sizes, mounted with a backing to work in any printer. Plus, she has a custom spray that will stabilize any ink to make it permanent.
She offers the easiest way to create a fabric image of any photo and then use it in quilting or any other art project. Here's a link to her website:
Bettys Photos on Fabric

Cayucos Sea Glass Festival - 14 MAR 2015

A five hour drive north, along the coast from Los Angeles, is the quaint, historic town of Cayucos. Self-proclaimed as the "Last of California Beach Towns," it has managed to keep its small town charm. 
Once a year it get flooded with tourist and jewelry artisans as it hosts a Sea Glass Festival. Sea Glass, as the name suggests, are bits of bottles and jars that have been worn smooth b the ocean. Considered a reverse gen,instead of man refining a piece of nature (traditional gems), nature has refined a piece of man-made material.
As with any gem, there are grades of quality:
  • A - Extremely worn and rounded (no blemishes or chips)
  • B - Extremely worn with soft edges (one or two minor blemishes or chips)
  • C - Fairly worn with at least one hard, straight edge (some blemishes)
  • D -  A barely worn piece (several blemishes or hard edges/corners)
The pricing reflects their rarity, half a dozen pieces, each smaller than a dime can run $30. There were no cameras allowed in the festival. This is the one item I purchased, a book mark:
 This year also had a "Mermaid March" throughout the town.
And TW found other objects for poising:
Went into this historic saloon for a beer and got a history lesson from a friendly patron.
Cayucos was a cowboy town, as the original 900 foot pier could load cargo ships bound for San Francisco or Los Angeles, supporting local ranchers and farmers.
This saloon was notorious for its back room card games that still exist.
Its' slogan is "Liquor in the Front, Poker in the Rear."

Hollywood Heritage Museum - 11 JAN 2015

Located on Highland Avenue, across from the Hollywood Bowl.
Designated as a California State
Historic Landmark No 554
It is the building that makes this very small museum a grand part of the movie history.
Known as the "Lasky-DeMille Barn," it held the first office of Cecil B. DeMille.
Built as a barn in 1895, it was converted (1913) into the Burns and Revier Studio and Laboratory. It was leased to the Jesse L. Lasky Feature Play Company which began production of its first feature film, The Squaw Man (directed by Cecil B. DeMille).
The horse stalls were turned into a storage area, the carriage stand into an office for DeMille and Lasky and a 30 foot square platform was added to use as a sound stage.
In 1926, the building was moved to the back lot of United Studios (now Paramount). On the Paramount lot, it was used as a studio library and later a gymnasium. Over the years, the exterior has served as a facade for several western films and television shows.
In 1979, it was moved to a vacant lot in Hollywood, moved again to a parking lot and finally moved to its present location in 1983, where it was restored and became the Hollywood Heritage Museum.
The general manager of the Jesse L. Lasky Feature Play Company was Samuel Goldfish (later known as Goldwyn, the "G" in "MGM").
The movie The Squaw Man, rented several wigs from Max Factor, launching his involvement with the growing movie industry.
This is the place to visit if you want to learn about early silent film actors.
They have a very nice gift shop and friendly docents who will answer all your questions.

Hollywood Museum, Los Angeles, CA - 11 JAN 2015

Located on N Highland Ave (near Hollywood Blvd) in the old Max Factor building, the Hollywood Museum offers a variety of artifacts.
The museum has three levels of things to see and read. I found the ground floor the most interesting because it held the story of Max Factor.
Born in Russia, he emigrated to the U.S. and in 1908, moved to Los Angeles. Max Factor & Company was originally an Antiseptic Hair Store. 
Hill Street, 1919
Max added theatrical make-up from Leichner and Minor to his hair products and by 1914 he was making his own form of greasepaint. This was the first make-up developed specifically for the movie industry.
Not only did he create many of the cosmetic products used today (foundation, eye shadow, false eyelashes, lip gloss), he coined the phrase “make-up.” 
In 1928, his company bought and renovated the Hollywood Storage Company building on Highland. 
1930 Version the Building
In 1935, there was a grand reopening of his remodeled Make-up Studio with an added wing. (Today this wing is Mel's Drive-In.)
Max Factor Building, 1939
I bought stage make-up in this wing of the building in 1970. Below you can see some of my 70's make-up, looks like the museum display.
Dying at the young age of 66, his son Frank, changes his name to Max Factor, Jr. and continued the legacy creating lipstick, the mascara wand, concealer and many additional products.
For payment of just a dollar, Max was able to get Actors to endorse his products. 
There are several walls dedicated to framed ads. 
Lucille Ball was born with mousey brown hair, arrived in Hollywood as a blonde; but, it was Max Factor who made her a brunette, lightning and darkening her hair for different film parts. 
When Technicolor became popular, he turned her into a redhead and then created make-up to give her a “natural” complexion. Max created a green hue room “For Redheads Only” based on his “color harmony” theory. If the make-up on a redhead looked good in the green room, they would look good under harsh studio lights.
The "Green Room" was filled with artifacts relating to Lucy and Desi. There was also a "Blue Room" created for Blondes, a "Pink Room" for Brunettes and a "Peach Room" for Brownettes.
Carmen Miranda, Lucille Ball, Micheal Jackson
There were several caged costume displays.
Beauty Calibrator
Max created this measuring device in 1932, to pinpoint where facial corrections needed to be made. He is known to have said, “You are not born glamorous. Glamour is created.”
This Lon Chaney bust depicting his 1925 role in The Phantom of the Opera was in the screening room showing a film on the life of Max Factor. A little eerie when seen in a dark theater.
The basement was turn into a dungeon with images, sets, costumes all relating to horror.
Items from Silence of the Lambs.
There were several face casts on display:
Peter Lorre
These were made by taking a plaster cast of the actors' face.
Vincent Price
Then the cast is used as a mold to make another plaster cast, creating a positive image of the face.
Boris Karloff
This face cast, can then be used to create prosthetic make-up that perfectly fits the actors' face and can be used more than once.
Lon Chaney, Jr.
Liquid Latex and crepe hair, turned Lon Chaney, Jr. into The Wolfman. 
Merrilee
Back in the 70's when I made this cast of my face, we didn't have the prosthetic grade alginate used today to make rapid casts. We covered our face in Vaseline jelly, put straws in our nostrils, cardboard around our head, laid on a table and had someone pour several inches of plaster of paris over your eyes, mouth and nose. This also required laying perfectly still for twenty minutes while the plaster harden. After doing this method on some fellow Thespians, I had the bright idea of asking my dentist for some dental casting powder, to make my face cast. It would harden in a few minutes. Not being made for this purpose, it was slightly caustic to the skin. When we took it off, my face looked and felt like a sunburn.
The second floor of the museum had lots of photos, videos, props, costumes, all types of movie and TV artifacts.
Since everything was behind glass, it was hard to take good photos.
Elvira's Car
Pee Wee Herman's Bike
Star Trek Costume
It was entertaining, educational, and for me, brought back special memories. Just across the street is the Hollywood High School.
The mural, painted in 2002, depicting 13 famous entertainers is title, "Portrait of Hollywood." Only half of them attended this high school.
Left to right: Dorothy Dandridge, Dolores del Rio, Brandy Norwood, Selena, Lana Turner, Laurence Fishburne, Cantinflas, Carol Burnett, Cher, Ricky Nelson, Bruce Lee, Rudolph Valentino, Judy Garland and John Ritter (standing).